The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

A prince is escorted back to the palace for execution. This scene is from the Tuti-nama, an Indian manuscript. Created around 1560 with gum tempera, ink, and gold on paper. Mughal India, during Akbar’s reign.

The Tuti-nama manuscript consists of 52 stories told over 52 nights. It reflects the rich narrative tradition of Mughal India. This particular illustration is from the eighth night.

The manuscript was produced under the patronage of Akbar, the Mughal emperor. It demonstrates the fusion of Persian and Indian artistic styles prevalent in his court.

The artist is identified as Gujarati, suggesting a connection to the region of Gujarat in India. Details about the artist’s life and work remain scarce.

Cleveland Museum of Art, Cleveland, https://clevelandart.org/art/1962.279.59.b